GREASE background and analysis by Scott Miller The year isa pivotal moment in American cultural history, when rock and roll was giving birth to the Sexual Revolution and everything in America culture was about to be turned upside down. Record companies were releasing more than a hundred singles every week and the country was about to explode.
Just a couple of years ago, Amanda was spending some quality time with Ryann, creating all of the photography for Spruce: A Step-by-Step Guide to Upholstery.
Ryann — who specializes in shooting architecture and interiors — was asked by our publisher Storey to shoot all of the photography for the Spruce book.
After months of working together, Amanda developed a close bond with Ryann, and we consider her an unofficial Sprucette. Ryann took some time out of her busy schedule to answer a few questions for us.
Learn why we love this inspiring and talented lady!
Photo by Ryann Ford. Tell me about your involvement with Spruce and what it was like shooting DIY tutorials. My bread and butter is shooting mainly interiors for home magazines, interior designers, architects — but this was mostly studio photography.
I normally finish a project in a day or two, but we shot this project over the course of 25 days, or something like that! It was a really big project! Knowing nothing about upholstery going in, it was interesting creating nicely composed, beautiful shots that could clearly illustrate the steps.
Did you always have an The painted door essay questions and an eye for architectural photography? How did you get interested in shooting design, places and spaces? When I was in photography school at Brooks InstituteI was terrified of photographing people, so I picked a major that required the least amount of people photography.
One of my options was taking an architectural photography class, so I gave it a whirl. I ended up really loving it. After a while, I was ready for a change of pace, so I moved to Austin from California, decided to go freelance, and started taking on more residential shoots.
My favorite part of my job is seeing so many amazing homes and spaces, because I love design as much as I love photography. I also love the travel, even just road trips across Texas.
I love that every day is different and brings a new adventure. I noticed that a lot of them looked old — and some were really fun, shaped teepees or made of giant wagon wheels. I decided they would make a great photo project, and to date have shot over of them all across the country.
I am currently shopping the series to book publishers, and selling prints on my Etsy page and at Mockingbird Domestics. The place is magical.
As we were packing up, the forest came alive with fireflies; it literally sparkled.
We still reminisce about that shoot. Before my rest stop series, I did a personal project on the Salton Sea in southern California. I definitely fell in love. I would give anything to be able to go back in time and see the place in its heyday — the fancy hotels, the yacht clubs.
The place had big dreams, but a series of floods and questionable water quality led to it becoming a ghost town. EEK, there are so many!
I really love when spaces are both well-designed and fun, and have unexpected elements. Elizabeth Stanley is one of my favorite designers, and I also love Kimberly Rennerwho just opened a store here in town. Philipand I was lucky enough to have him do a few things for my home, too!
A space designed by Elizabeth Stanley; photo by Ryann Ford. What are your favorite places in Austin — both for photographing and hanging out?
I love to take my pups to run around, and Commons Ford Ranch Metropolitan Park is one of best semi-secret places in the area.
Photo and featured photo of Ryann Ford by Lisa Woods. What was the first camera you ever owned? The first camera I ever owned was a Pentax that my dad brought back from Vietnam. I fell in love with photography with that camera, and used it all through high school.
These days I shoot with a Canon 5D. Describe your personal interior design aesthetic.This "Twilight-Zone-esque" formula is what makes a short story like "The Painted Door" so effective. The open-ended and disturbing culmination, coupled with the abundant use of symbolism and metaphor, compel the reader to ruminate on the implications long after the reader has finished reading the story.
INT. WELTON ACADEMY HALLWAY - DAY A young boy, dressed in a school uniform and cap, fidgets as his mother adjusts his tie. MOTHER Now remember, keep your shoulders back. Mar 02, · “The Painted Door” Literary Essay ~March 3rd, When both involved do not fully commit to the happiness of each other, .
At 29, Meryl Streep was grieving for a dead lover, falling for her future husband, and starting work on Kramer vs.
Kramer, the movie that would make her a star and sweep the Oscars. In an. The Painted Door Outline English Literature Essay.
Print Reference this. Disclaimer: In Sinclair Ross’ highly metaphorical short story “The Painted Door”, the explicit theme is centered on adultery. However, there are other, more subtle, motifs in the story that play a very significant a role in its success.
The conclusion serves. By: Sinclair Ross The Painted Door Represents importance of the door She paints door to keep her mind busy while waiting for her husband to return in the storm Change in her desire is represented by the change of the color of the door Summary Significance of Title Ann and her husband John live on a farm in rural Saskatchewan.